
ABOUT THE CNs (Commemorative Nagel)
The CN stands for "commemorative Nagel". Many who are new to Nagel are not clear that these prints were created after his death in 1984. And as such they are POSTHUMOUS, not hand signed (obviously) and were created in much bigger editions sizes, some as many as 10,000.
However, although posthumous, the good news is that they are actual serigraphs—not cheap lithos like
much of what passes for 'nagels' these days—and were printed by the Samper Silkscreen Company (the second
printer used by Mirage to print Nagels and the only other legitimate printer) in the mid 1980's. Unlike
a
lot of Nagel posters, these were authorized and published
by Mirage Editions, Nagel's publisher. Though posthumous, they are still
wonderful works of art and had he not passed, would likely have gone on to become signed and numbered
limited editions.
ABOUT CN1 2
Details: "Bergen Galleries, aka CN12; ca 1988, 24'x36'' serigraph in 13 colors; estimated 5 - 7000 printed. This print: colors fresh, no fading or foxing
Marguerita Bergen had a small poster shop on Royal Street in New Orleans. She sold more Nagels that any other dealer in the Southeast and because of it, Mirage honored her with putting the name of the gallery on this commemorative graphic in 1987. did. We understand she had closed the gallery before the disaster in the city, however.
For more on that issue, visit our site here
This printsi offered unframed and is shipped rolled in a tube.
ABOUT PATRICK NAGEL (1945 - 1984): For every decade since the development of color, planographic art (the mid-19th Century) there has been an artist whose work was instrumental in reflecting and, in some cases defining, the era in which they lived. For the1980's, it was Patrick Nagel. Nagel was a phenomenon, much like those great painter/illustrators to precede him -- Jules Cheret, A.M. Cassandre, Leyendecker, Holwein, Toulouse-Lautrec, Rockwell, to name only a few. • At the end of his short life, Playboy magazine was accepting illustrations from Nagel sight-unseen to run in the magazine and his fame and fortune had reached staggering heights in the fine art world. Because of his untimely demise, Patrick's "lifetime" body of work is (comparatively) very small. But it was important work. The Nagel 'renaissance' has already begun—the work is being revisited by scholars and collectors alike.