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After Pat's death in 1984, his publisher, Mirage Editions, went on to produce a series of "commemorative" graphics. some of which were being earmarked for future release as signed and numbered prints. They were printed in large editions, in an attempt to satisfy the demand, and were large, beautiful serigraphs, printed by Samper Silkscreen in Los Angeles. They are what they are: posthumous reproductions. And as such, they have little investment value. They are, however, high quality prints and wonderful examples of Patrick's work and brilliance.
UNFORTUNATELY, there was also a lot of "investment hype" about these prints and many people were duped into paying upwards of a few thousand dollars for them. They are now only worth a 10th of that in most cases.
In addition, there were a LOT of posthumous graphics done of both new images and previously released limited editions. These were printed as offset posters and were not limited in supply, but rather 'open' edition posters. As a result, there is some confusion as to why, as an example, there is "GrayLady" that sells for thousands of dollars, and another of the same title that sells for $30. At TBFA we deal in only 'lifetime' Nagel graphics or in some cases, the CN series you see here.
(Some of these later lithographs were published by Nagel's widow, Jennifer Dumas.)
CN #5 ("B1 Gallery") Posthumous,
3500 printed
B-1 gallery was a hole-in-the-wall space in Santa Monica near Venice beach. The owner, a friend of Pat's and the publisher at Mirage, managed to get this poster named after his gallery and not suprisingly, sold a LOT of Nagels.
CN #6
Posthumous,
5000 printed
No one was sure if this is a golf glove or not. .
CN #1 ("Nagel") Serigraph, Posthumous, 3500 printed
At the time of Pat's death, this image was in the Mirage pipeline to be the next graphic.
CN #2 (Palm Springs Life) Posthumous, 4000 printed
At the time of Pat's death, this, too, was in the Mirage pipeline to be the next graphic. It was very hotly sought-after right up until 1992, when it was discovered that thousands and thousands of fraudulent copies of the print were discovered in a garage in New Mexico by the FBI.
CN#3 (Piedmont Graphics, "Sushi Girl") quantity unknown
Also one frequently forged. It is not known how many were originally printed of these, but best guess is up to five thousand.
CN#4 (Untitled, "cross-legged girl) 4800 printed
By this time, the phenomenon and frenzy for the CNs had begun to run wild. The Nagel book indicated 5000 of these, but one wonders...
CN #7 Gallery in the Courtyard
Posthumous,
5000 printed
Gallery in the Courtyard was a small space on Melrose in L.A. Although not on Melrose anymore, the gallery is still in business.
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